Through a combination of in-gallery objects and multimedia pieces, as well as public conversations and events held at the museum and in the community, this exhibition addresses themes of incarceration, social justice and prisoners’ rights, recidivism and transitional justice. Works featured in exhibition are drawn from the Museum’s extensive collection of prison art alongside recently acquired art - including pieces made during workshops at the Metropolitan Detention Center (MDC) in 2017, pieces purchased at the state Penitentiary’s bi-annual Inmate Craftsmanship and Trades Fair in 2019, and a mural created by at-risk-youth through a school-to-prison pipeline initiative https://www.sitesofconscience.org/en/2018/01/brown-v-board-to-ferguson-toolkit/ program between MOIFA and Santa Fe ¡YouthWorks! in 2018. The exhibition further explores strategies helping underserved populations so that they may avoid future incarceration and examine how the arts can be a catalyst for healing, rehabilitation, and change.
Parkas are complex expressions of Alaska Native cultures’ deep respect for the animals of land and sea. The harmonious marriage of beauty, function, and resourcefulness, parkas are a living tradition rooted in centuries of indigenous knowledge of material science and design. They also demonstrate the resilience of indigenous communities to thrive in the arctic environment.
Dec 13, 2020 - Feb 13, 2022
Dressing with Purpose: Belonging and Resistance in Scandinavia
Museum of International Folk Art
Dressing with Purpose examines three dress traditions today—Swedish folkdräkt, Norwegian bunad, and Sámi gákti—in light of more than two centuries of social and political change across Scandinavia.
Oct 3, 2020 - Mar 21, 2021
Southwest Rising: Contemporary Art and the Legacy of Elaine Horwitch
New Mexico Museum of Art
This exhibition highlights the works of some of the Elaine Horwitch Galleries’ most popular artists.
This exhibition celebrates the centennial anniversary of Shuster’s arrival in the Southwest. It highlights the artistic legacy he developed here in Santa Fe and elsewhere throughout the state and forefronts the significant artistic relationships he forged here.
The Museum of International Folk Art and the International Folk Art Market present "Art of Consumption: Folk Art and Sustainability." This exhibition explores what we consume, what we throw away, and its impact on the environment and climate change. This show highlights folk artists whose work shines a light on environmental crises and removes materials from the waste stream to create objects of beauty. All of the featured artists are participants in the 2020 International Folk Art Market in Santa Fe.
Cambio Climatico/Ronin Guardian del Agua y la Tierra, 2015
Olinda Reshinjabe Silvano Inuma de Arias
Shipibo Community of Cantagallo, Lima, Peru
Cotton fabric, embroidery floss, beads, seeds, vegetal dyes, paint
Museum of International Folk Art, IFAF Collection FA.2017.29.4
42"w x 40"h
Photo by Addison Doty
WORDS on the Edge consists of twenty-six poetry broadsides and lyrical texts addressing themes of nature and its irresponsible destruction. Twenty-six notable poets, artists, and writers have been paired with an equal number of highly regarded letterpress printers from four countries. Included in the collection are Arthur Sze, Santa Fe’s first Poet Laureate, and Thomas Leech, curator of the Palace Press.
In this exhibition, contemporary artists find inventive ways to express the act and importance of breathing by measuring it, scanning it, enclosing it, evoking it, and reminding us that every breath we take is a cooperative venture with our landscape.
Alexander Girard was one of the most influential interior and textile designers of the 20th century. Alexander Girard: A Designer’s Universe is the first major retrospective on Girard’s work, organized by the Vitra Design Museum in Germany. With this new VIRTUAL TOUR open a door to his creative universe and shows his close relationships with contemporaries such as Charles & Ray Eames, Eero Saarinen, Andy Warhol, Rudi Gernreich, and many others. Featured are Girard’s designs in textiles, furniture, and sculptures, as well as numerous sketches, drawings, and collages never shown before.
How does a museum acquire its collections? Are they purchased or donated? Where is everything stored, and how are things maintained? Why does the New Mexico History Museum have objects and photographs from faraway places? Looking Back: Reflecting on Collections explores these questions and many more as we delve into our museum’s collecting history since the late 19th century.
Throughout the 20th and 21st centuries, moments of violence, political upheaval, and natural disaster have led to the displacement of entire communities. Since the 1960s, displaced people throughout the world—women, men, and children—have embroidered the stories of their forced migrations, new transitions, and memories of more stable lives. Through these textiles, they have been able to document their experiences, share their perspectives, and often, supplement their income during desperate times.
The Train Station, 1979. This gabba, chain-stitched embroidery on felted wool, illustrates the forced migration of Kahuta residents after the area became a site for the national atomic bomb project in 1976. Unknown artist, Pakistan. MOIFA, IFAF Collection, FA.1985.464.13.
The Museum of International Folk Art (MOIFA) presents From Combat to Carpet: The Art of Afghan War Rugs, opening January 12, 2020 and running until August 30, 2020. From Combat to Carpet is a traveling exhibition curated by Enrico Mascelloni and Annemarie Sawkins and features more than 40 handwoven rugs with war-related iconography collected over the past forty years.
Vivid in Japanese art and imagination are creatures that are at once ghastly and comical. Yôkai generally refers to demons, ghosts, shapeshifters, and “strange” and supernatural beings. Specific creatures are commonly associated with classical literature, folklore, theatrical performances, festivals, art, and other forms of expressive culture. Yôkai are also prevalent in contemporary Japanese popular culture; you find them in manga (comics), anime (animation), and character-based games such as Pokémon (“pocket monster”).
Nov 27, 2019 - Aug 16, 2020
Picturing Passion: Artists Interpret the Penitente Brotherhood
New Mexico Museum of Art
One regional community that captured the attention and imaginations of artists were the Penitent Brotherhood, Picturing Passion brings together the work of artists who took on the penitent traditions as source material.
This exhibit highlights the work of 11 pioneer women in archaeology who worked in the American Southwest as well as touches on some major early and modern contributors to archaeology throughout the world.
Working on the Railroad pays tribute to the people who moved the rail industry throughout New Mexico.
Using nearly forty images from the Palace of the Governors Photo Archives and the Library of Congress, this exhibition offers an in-depth look at the men and women who did everything from laying track to dispatching the engines. Wrenches, lanterns, tie dating nails and other objects from the New Mexico History Museum collections will be displayed to give additional life to the photos; many hands used those tools to ensure that each engine ran smoothly and successfully.
The exhibition Música Buena: The exhibition will focus on the rich history of traditional Hispano music from the arrival of the Spanish through the present. Once in New Mexico, historic European traditions took on a new life and feel, blending with Native customs and reflecting the land, time, and place where these folkloric songs and traditions developed.
San Ildefonso pottery is about a little known art, an American art form that deserves recognition and appreciation alongside the other great world art systems. Before there was Santa Fe and before the idea of “art colony” was born there was San Ildefonso, a small village of extraordinarily visionary artists whose ceramic legacy is rich and vitally meaningful.
This exhibition features 23 original graphic history art works by Santa Fe-based artist Turner Avery Mark-Jacobs. This display, ’The Massacre of Don Pedro Villasur,’ narrates the history of an ill-fated Spanish colonial military expedition which set out from Santa Fe in 1720. This depicted story shares the exhibit room with the History Museum’s Segesser I and II Hide paintings located in the Telling New Mexico gallery.
Community through Making brings together local and Peruvian artists to explore how art shapes healthy and vibrant communities. The installation is a conversation across borders, highlighting three collaborative projects that paired local artists and artists from Peru for 10-day residencies in conjunction with the exhibition Crafting Memory: The Art of Community in Peru. This exhibition in the Gallery of Conscience experiments with community curation, filling the gallery with video, stories, and artworks as created and told by museum program participants over the course of the spring and summer of 2018.
Here, Now, and Always is a major exhibition based on eight years of collaboration among Native American elders, artists, scholars, teachers, writers and museum professionals. Voices of fifty Native Americans guide visitors through the Southwest’s indigenous communities and their challenging landscapes. More than 1,300 artifacts from the Museum’s collections are displayed accompanied by poetry, story, song and scholarly discussion.
The First World War exhibition investigates the contributions of New Mexicans to the war, through letters, photographs and objects.
“New Mexico played an important role in both world wars,” said Andrew Wulf, then-Director of the New Mexico History Museum. “We are proud to be able to recognize and remember that contribution and add The First World War as a permanent exhibition, to underscore the sacrifice and heartfelt letters home from these brave soldiers.”
The first artwork ever to be displayed at the New Mexico Farm & Ranch Heritage Museum belonged to Robert “Shoofly” Shufelt. Fifteen years after he graciously loaned some of his lithographs for a temporary exhibit, Shufelt and his wife, Julie, donated his collection to the museum for a long-term exhibition.
Dec 7, 2014 - Dec 31, 2024
Setting the Standard: The Fred Harvey Company and Its Legacy
New Mexico History Museum
Will Rogers noted that Fred Harvey “kept the West in food—and wives.” But the company’s Harvey Girls are by no means its only legacy. From the Atchison, Topeka and Santa Fe Railway’s 1879 arrival in New Mexico to the 1970 demolition of Albuquerque’s Alvarado Hotel, the Fred Harvey name and its company’s influence have been felt across New Mexico, not to mention the American West. The company and its New Mexico establishments served as the stage on which people such as Mary Colter were able to fashion an “authentic” tourist experience, along with Herman Schweizer who helped drive the direction of Native American jewelry and crafts as an industry.
Setting the Standard: The Fred Harvey Company and Its Legacy, a new section that joins the New Mexico History Museum’s main exhibit, Telling New Mexico: Stories from Then and Now, helps tell those stories. Opening December 7, Setting the Standard uses artifacts from the museum’s collection, images from the Palace of the Governors Photo Archives and loans from other museums and private collectors. Focusing on the rise of the Fred Harvey Company as a family business and events that transpired specifically in the Land of Enchantment, the tale will leave visitors with an understanding of how the Harvey experience resonates in our Southwest today.
Multiple Visions: A Common Bond has been the destination for well over a million first-time and repeat visitors to the Museum of International Folk Art. First, second, third, or countless times around, we find our gaze drawn by different objects, different scenes. With more than 10,000 objects to see, this exhibition continues to enchant museum visitors, staff and patrons. Explore highlights from the GIRARD WING.
On display in the Bataan Building Atrium Gallery: Touching Beauty Now, sculpture by Santa Clara Pueblo’s Michael Naranjo, celebrated the world over for his bronze and stone forms suspended in fluid, graceful movement.
Telling New Mexico: Stories from Then and Now sweeps across more than 500 years of history—from the state’s earliest inhabitants to the residents of today. These stories breathe life into the people who made the American West: Native Americans, Spanish colonists, Mexican citizens, Santa Fe Trail riders, fur trappers, outlaws, Buffalo Soldiers, railroad workers, miners, scientists, hippies, artists, and photographers.
The Buchsbaum Gallery features each of the Pueblos of New Mexico and Arizona in a selection of pieces that represent the development of a community tradition. In addition, a changing area of the gallery, entitled Traditions Today highlights the evolving contemporary traditions of the ancient art of pottery making.