Jun 21, 2020 - Sep 12, 2021
Dressing with Purpose: Belonging and Resistance in Scandinavia
Museum of International Folk Art
Getting dressed is a creative act, an expression of self and social connection. Getting dressed can also be an artistic performance meant to persuade. Dressing with Purpose examines three dress traditions today—Norwegian bunad, Sami gákti, and Swedish folkdräkt—in light of more than two centuries of social and political change across Scandinavia.
Vivid in Japanese art and imagination are creatures that are at once ghastly and comical. Yokai generally refers to demons, ghosts, shapeshifters, and “strange” and supernatural beings. Specific creatures are commonly associated with classical literature, folklore, theatrical performances, festivals, art, and other forms of expressive culture. Yokai are also prevalent in contemporary Japanese popular culture; you find them in manga (comics), anime (animation), and character-based games such as Pokémon (“pocket monster”).
The exhibition Música Buena: Hispano Folk Music of New Mexico will open in the Hispanic Heritage Wing October 6, 2019. The exhibition will focus on the rich history of traditional Hispano music from the arrival of the Spanish through the present. Once in New Mexico, historic European traditions took on a new life and feel, blending with Native customs and reflecting the land, time, and place where these folkloric songs and traditions developed.
A believer in numerology, astrology, and faith healing, Agnes Pelton’s abstract compositions propelled her into an esoteric world epitomized by the Transcendental Painting Group (1938-1942), a short-lived group that promoted abstract, non-objective art. Although Pelton received some attention during her lifetime, she has been relatively unknown within the field of American Art. Approximately 40 – 45 works will comprise this exhibition shedding light on Pelton’s artistic contribution to American Modernism, while examining her practice against a broader, international framework of spiritual and esoteric abstraction.
San Ildefonso pottery is about a little known art, an American art form that deserves recognition and appreciation alongside the other great world art systems. Before there was Santa Fe and before the idea of “art colony” was born there was San Ildefonso, a small village of extraordinarily visionary artists whose ceramic legacy is rich and vitally meaningful.
Alexander Girard was one of the most influential interior and textile designers of the 20th century. Alexander Girard: A Designer’s Universe is the first major retrospective on Girard’s work, organized by the Vitra Design Museum in Germany. It opens a door to his creative universe and shows his close relationships with contemporaries such as Charles & Ray Eames, Eero Saarinen, Andy Warhol, Rudi Gernreich, and many others. Featured are Girard’s designs in textiles, furniture, and sculptures, as well as numerous sketches, drawings, and collages never shown before.
Social & Sublime: Land, Place, and Art exemplifies how artists in the late 19th through the 20th century have engaged with ideas about land and place and examines the way we understand land as it relates to the cultural and artistic trends of our time.
Mar 30, 2019 - Sep 15, 2019
The Great Unknown: Artists at Glen Canyon and Lake Powell
New Mexico Museum of Art
The Colorado River is a critical source of life in the arid canyons of northern Arizona and southern Utah. Generations of people from near and far have been inspired by its beauty and power. The Great Unknown : Artists at Glen Canyon and Lake Powell uses photographs, paintings and writings to tell the stories of several groups of like-minded people who made repeated visits to the area known as Glen Canyon on the Colorado, Glen Canyon Dam and the resultant Lake Powell. Beginning with pieces by some of the early Native inhabitants of the region, the show then briefly touches on images related to European and then Anglo American exploration of the Colorado River. Moving into the twentieth century, the show focuses on groups of artist travelers who visited Glen Canyon repeatedly before the Glen Canyon Dam was built in 1963.