Museum of New Mexico Media Center Press Release

Into the Future: Culture Power in Native American Art

Museum of Indian Arts and Culture

April 11, 2016


Sponge Bob Square Pants, Pac Man, and Curious George, all sporting a particularly Native American twist, are just a few images from popular mainstream culture seen in the exhibition, Into the Future: Culture Power in Native American Art.

Featuring nearly 100 objects by more than fifty artists from the museum’s collections as well as others borrowed from collectors and artists, the work on view in Into the Future will be in such various media as traditional clothing and jewelry, pottery and weaving, photography and video, through to comics, and on into cyberspace.

The free to the public opening for Into the Future: Culture Power in Native American Art at the Museum of Indian Arts and Culture is on July 17, 2016 from 1 to 4 pm and the show runs through October 22, 2017.

“Culture Power”, in the exhibition’s title, is defined by exhibition curator Valerie Verzuh, as the unique power bestowed upon objects by a culture’s stories, traditions, and emotions – objects which define ourselves, our communities, and the world around us – and, in turn, determine how we interpret and understand others.

When Native artists reinterpret popular Western imagery through the lens of these culture stories the collision of meanings provides a springboard for often pointed commentary upon issues of identity, culture, and history. And, says Verzuh, these reimagined images elicit intense emotions, “As power resides both in the mind of the viewer and in the objects themselves. Having the authority to control objects and their meanings correlates with the power to define and control personal and cultural identities.”

Using humor, as a reaction to otherwise serious issues, serves an important role in tribal cultures, for instance the widespread Trickster tradition and Pueblo clown societies. In Into the Future we see work by artists who find the comic book aesthetic expresses perfectly their message. Turning the mainstream narrative on its head and re-interpreting it through the Native cultural lens, Larry McNeil’s “Tonto” in Tlingit-Nisga’a is transformed from a “dimwitted sidekick to the hero,” Jonathan Loretto’s, Star War Figure with Ray Gun is a Cochiti Storyteller “Bobble Head” figure, and Theo Tso developed Captain Paiute the Indigenous Avenger of the Southwest, “…after noticing that there weren’t any comics that were written, drawn or even created by Native Americans!"

Ecological destruction and the Native’s belief of the interconnectedness of all living things is the subject of some artists’ work, like Frank Buffalo Hyde’s, Buffalo Fields Forever: To Infinity and Beyond, on the decimation of the buffalo instilling his unique brand of biting humor. Others illuminate the depredations, revolt, and reoccupation of the Spanish expeditions, like Jason Garcia’s Tewa Tales of Suspense, Fred Kabotie’s The 1680 Pueblo Revolt at Hopi, and Diego Romero’s Don’t Shoot Diego and Siege of Santa Fe.

Also featured in Into the Future: Culture Power in Native American Art, are Linda Aguilar, Keri Ataumbi, David Bradley, Ricardo Cate, Orlando Dugi, Jody Folwell, Susan Folwell and Les Namingha, Harry Fonseca, Dorothy Grant, Teri Greeves, Bob Haozous, Melissa Henry, Lisa Holt and Harlan Reano, Maria and Julian Martinez, Dallin Maybe, Jamie Okuma, Virgil Ortiz, Pat Pruitt, Cara Romero, Ramoncita Sandoval, Preston Singletary, Margaret Tafoya, Denise Wallace, Ken Williams, Will Wilson, and Bethany Yellowtail, among others.

Into the Future: Culture Power in Native American Art celebrates the vitality of contemporary Native North American communities. So when you see a “Native” Sponge Bob Square Pants living life out loud on the ocean’s bottom, Pac Man chomping through an imagined game world, and Curious George’s adventures in the big city, know that by redefining mainstream objects and their associated meanings, Native artists assure that their culture is both integrated into that of the world at large and proudly separate from it.

Media Contacts: Steve Cantrell, PR Manager, 505-476-1144, and Valerie Verzuh, Curator of ICC Collections, MIAC, 505-476-1296,



Located on Museum Hill the museum is at 710 Camino Lejo off Old Santa Fe Trail. General information number is 505-476-1269 or

Museum Hours: November through April the museum is open Tuesdays - Sundays: 10am-5pm. May through October the museum is open 7 days a week 10am-5pm. The Museum is closed on Easter, Thanksgiving, Christmas Day, and New Year’s Day.

Admission: $6/New Mexico residents (Sundays free for NM residents); $9/non-residents; Museum Foundation members and children 16 and under are always free.

About the Museum of Indian Arts and Culture:  As the 19th century closed, one of the Southwest’s major "attractions" was its vibrant Native American cultures. In response to unsystematic collecting by Eastern museums, anthropologist Edgar Lee Hewett founded the Museum of New Mexico in 1909 with a mission to collect and preserve Southwest Native American material culture. Several years later, in 1927, John D. Rockefeller founded the renowned Laboratory of Anthropology with a mission to study the Southwest’s indigenous cultures. In 1947 the two institutions merged, bringing together the most inclusive and systematically acquired collection of New Mexican and Southwestern anthropological artifacts in the country.

Museum exhibitions and programs supported by donors to the Museum of New Mexico Foundation and its Director’s Leadership Fund, Exhibitions Development Fund, and Fund for Museum Education.

The Museum of Indian Arts and Culture is a division of the New Mexico Department of Cultural Affairs.



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