Reflecting current archaeological and historical perspectives, Palace Seen and Unseen draws from historic documents, photographs, and archaeological and architectural studies produced by its former residents, visitors, stewards, and scholars. When the dynamic expertise of historians and archaeologists converges, a richer story and better understanding emerges. It is this integrative approach to what is seen and unseen that guides the themes explored by this exhibition. On long term view.
This exhibition features 23 original graphic history art works by Santa Fe-based artist Turner Avery Mark-Jacobs. This display, ’The Massacre of Don Pedro Villasur,’ narrates the history of an ill-fated Spanish colonial military expedition which set out from Santa Fe in 1720. This depicted story shares the exhibit room with the History Museum’s Segesser I and II Hide paintings located in the Telling New Mexico gallery.
The First World War exhibition investigates the contributions of New Mexicans to the war, through letters, photographs and objects.
“New Mexico played an important role in both world wars,” said Andrew Wulf, then-Director of the New Mexico History Museum. “We are proud to be able to recognize and remember that contribution and add The First World War as a permanent exhibition, to underscore the sacrifice and heartfelt letters home from these brave soldiers.”
Multiple Visions: A Common Bond has been the destination for well over a million first-time and repeat visitors to the Museum of International Folk Art. First, second, third, or countless times around, we find our gaze drawn by different objects, different scenes. With more than 10,000 objects to see, this exhibition continues to enchant museum visitors, staff and patrons. Explore highlights from the GIRARD WING.
Telling New Mexico: Stories from Then and Now sweeps across more than 500 years of history—from the state’s earliest inhabitants to the residents of today. These stories breathe life into the people who made the American West: Native Americans, Spanish colonists, Mexican citizens, Santa Fe Trail riders, fur trappers, outlaws, Buffalo Soldiers, railroad workers, miners, scientists, hippies, artists, and photographers.
Though the source of the Segesser Hide Paintings is obscure, their significance cannot be clearer: the hides are rare examples of the earliest known depictions of colonial life in the United States. Moreover, the tanned and smoothed hides carry the very faces of men whose descendants live in New Mexico today.